Djoser fell hard for ‘bass music,’ and now he’s in deep

Follow the bass. That’s most likely one of the best ways to grasp the music of Djoser, a Virginia-based producer and DJ whose most penetrating dance tracks use frequencies low sufficient to achieve the unknowable area between your sternum and your soul.

He says he’s been on a quest for these low notes for years, beginning again in highschool when he performed bass guitar in a grindcore band, joking that the music’s inherent volatility allowed him to cover a scarcity of chops in noise and pace. In faculty, he joined a reggae group with a dub-leaning sound that immediately boosted him right into a starring function. Then, in 2008, when a co-worker launched him to drum-and-bass music, the fireworks present instantly going off inside his ears supplied an empowering realization: “Bass players are supposed to be in the background, but here, the bass was up front and center.” It didn’t take him lengthy to come across dubstep, which gave him a thriller to chase after: “How were they making those sounds?”

Seeking solutions, Djoser finally started absorbing every kind of low-end music at varied Deep Sessions D.C. events on the now-defunct U Street Music Hall, falling for the dubstep of Mala, Kromestar and Goth-Trad whereas befriending soon-to-be collaborators, together with Panch of the native DJ collective L.E.N.G. Djoser says he started producing his personal tracks in 2010, and by the point he dropped his “Secret Greeting EP” on Martyn’s 3024 label in 2020, his music refused to fall into anyone fashion or custom. “‘Bass music’ is a broad term,” Djoser says, “and a lot of us like it that way.”

What in regards to the bass itself, although? What makes these deep frequencies really feel so good? Djoser calls it “a million-dollar question,” then takes a breath, both to gather his ideas or to summon his bodily reminiscences. “When you stand in front of the stacks of a sound system and you feel these sine waves going through your body, into your chest, and you can feel it on your nose … there’s a warmth,” he says. “The warmth of the sound surrounds you.”

So, in different phrases, bass is a closeness, a lowness, a deepness, a broadness, and it may also have its personal particular temperature, however even when it stays one thing Djoser can’t fairly clarify to himself, it’s nonetheless one thing he very a lot needs all of us to really feel.

May 28 at 9 p.m. at Echostage, 2135 Queens Chapel Rd. NW. Sold out.

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